Shot entirely from the point of view of the titular ‘Presence’, Steven Soderbergh’s (Ocean’s Eleven) haunted house horror brims with creeping dread.

Shot entirely from the point of view of the titular ‘Presence’, Steven Soderbergh’s (Ocean’s Eleven) haunted house horror brims with creeping dread.

Presence begins with the classic genre set up of a new family moving in to a renovated home, who soon get the feeling they’re not alone, but Soderbergh plays with this and puts his wealth of experience across a multitude of genres to fantastic use in this chilling experimental thriller.